{"id":3394,"date":"2025-06-06T09:48:40","date_gmt":"2025-06-06T09:48:40","guid":{"rendered":"https:\/\/nema-art.app\/portfolio-item\/torse-avramidis-ioannis-1922-2016\/"},"modified":"2025-06-18T10:42:40","modified_gmt":"2025-06-18T10:42:40","slug":"torse-avramidis-ioannis-1922-2016","status":"publish","type":"portfolio","link":"https:\/\/nema-art.app\/fr\/portfolio-item\/torse-avramidis-ioannis-1922-2016\/","title":{"rendered":"Torse &#8211; Avramidis Ioannis (1922-2016)"},"content":{"rendered":"<div id='av_section_1'  class='avia-section av-3nmkms-9068d207cbc43013e01a24f248dcf14d main_color avia-section-default avia-no-border-styling  avia-builder-el-0  avia-builder-el-no-sibling  avia-bg-style-scroll container_wrap fullsize'  ><div class='container av-section-cont-open' ><main  role=\"main\" itemprop=\"mainContentOfPage\"  class='template-page content  av-content-full alpha units'><div class='post-entry post-entry-type-page post-entry-3394'><div class='entry-content-wrapper clearfix'>\n<div  class='flex_column av-mbjx5g70-0a0cbc3c58af61e3d54abf0f6b9960e5 av_one_fourth  avia-builder-el-1  el_before_av_three_fourth  avia-builder-el-first  first flex_column_div av-animated-generic fade-in-up  '     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mbjx5urs-ff28726f951cf329a32aac55cd800a07\">\n.avia-image-container.av-mbjx5urs-ff28726f951cf329a32aac55cd800a07 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-mbjx5urs-ff28726f951cf329a32aac55cd800a07 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-mbjx5urs-ff28726f951cf329a32aac55cd800a07 av-styling- avia-align-center  avia-builder-el-2  el_before_av_textblock  avia-builder-el-first  img-rounded'   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-3037 avia-img-lazy-loading-not-3037 avia_image ' src=\"https:\/\/nema-art.app\/wp-content\/uploads\/2025\/06\/case-study-14.jpg\" alt='' title='OLYMPUS DIGITAL CAMERA'  height=\"1400\" width=\"517\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/nema-art.app\/wp-content\/uploads\/2025\/06\/case-study-14.jpg 517w, https:\/\/nema-art.app\/wp-content\/uploads\/2025\/06\/case-study-14-111x300.jpg 111w, https:\/\/nema-art.app\/wp-content\/uploads\/2025\/06\/case-study-14-380x1030.jpg 380w, https:\/\/nema-art.app\/wp-content\/uploads\/2025\/06\/case-study-14-260x705.jpg 260w\" sizes=\"(max-width: 517px) 100vw, 517px\" \/><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-mbk18w00-c2c311de3697326e06f1c828959df168 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Organisation m\u00e9tropolitaine des mus\u00e9es d&rsquo;arts visuels de Thessalonique \u2013 MOMus &#8211; Licence\u00a0: <a href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/4.0\/\" target=\"_blank\" rel=\"noopener\">CC BY-SA 4.0<\/a> Source: <a href=\"https:\/\/www.europeana.eu\/en\/item\/1316\/https___www_searchculture_gr_aggregator_edm_momus_000179_16245\" target=\"_blank\" rel=\"noopener\">Europeana<\/a><\/p>\n<\/div><\/section><\/p><\/div><div  class='flex_column av-2crbw4-306c00185e9184fd3fcb4ade58a99191 av_three_fourth  avia-builder-el-4  el_after_av_one_fourth  avia-builder-el-last  flex_column_div av-animated-generic fade-in-up  '     ><section  class='av_textblock_section av-mbjx70vl-9fe2f3d475a8741ada043ee6024bffaa '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><h2>je suis<\/h2>\n<p>Je suis une esquisse, une repr\u00e9sentation de la forme humaine en mouvement. Mon corps, bien que simplifi\u00e9, \u00e9voque la gr\u00e2ce et la dynamique de la vie. Les lignes qui me d\u00e9finissent sont \u00e0 la fois pr\u00e9cises et fluides, capturant l&rsquo;essence de l&rsquo;anatomie sans se perdre dans les d\u00e9tails superflus. Les couleurs terreuses qui m&rsquo;entourent sugg\u00e8rent une connexion profonde avec la nature, une chaleur qui \u00e9mane de l&rsquo;int\u00e9rieur. Je suis une exploration de la vuln\u00e9rabilit\u00e9 et de la force, un \u00e9quilibre entre l&rsquo;expression de la beaut\u00e9 physique et la fragilit\u00e9 de l&rsquo;existence humaine. Mon posture, bien que statique sur le papier, \u00e9voque un mouvement imminent, une danse suspendue dans le temps. Cela symbolise le potentiel, l&rsquo;\u00e9nergie et la vie qui palpite en moi. Je suis une invitation \u00e0 contempler non seulement le corps, mais aussi l&rsquo;\u00e2me qui l&rsquo;habite. Les \u00e9motions que je suscite peuvent varier : de la m\u00e9lancolie \u00e0 la joie, de la contemplation \u00e0 l&rsquo;\u00e9merveillement. Je suis un reflet de l&rsquo;exp\u00e9rience humaine, un dialogue entre le visible et l&rsquo;invisible. \u00c0 travers moi, l&rsquo;artiste cherche \u00e0 capturer l&rsquo;indicible, \u00e0 transcender le quotidien et \u00e0 toucher le c\u0153ur de ceux qui me regardent. Je suis une \u0153uvre en devenir, un t\u00e9moignage de la beaut\u00e9 de l&rsquo;imperfection et de la complexit\u00e9 de la vie.<\/p>\n<div class=\"nema-artwork-clear\"><\/div>\n<h4>id\u00e9e<\/h4>\n<h2>Mouvement<\/h2>\n<p>Le dessin capture le mouvement dynamique du corps humain, illustrant la fluidit\u00e9 et l&rsquo;\u00e9nergie de la pose.<\/p>\n<div class=\"nema-artwork-clear\"><\/div>\n<h4>id\u00e9e<\/h4>\n<h2>Anatomie<\/h2>\n<p>L&rsquo;accent sur la structure corporelle souligne l&rsquo;importance de la compr\u00e9hension anatomique dans l&rsquo;art du dessin.<\/p>\n<div class=\"nema-artwork-clear\"><\/div>\n<h4>id\u00e9e<\/h4>\n<h2>Abstraction<\/h2>\n<p>Les lignes et les formes simplifi\u00e9es \u00e9voquent une approche abstraite, permettant une interpr\u00e9tation personnelle de la figure.<\/p>\n<div class=\"nema-artwork-clear\"><\/div>\n<h4>id\u00e9e<\/h4>\n<h2>Couleur<\/h2>\n<p>L&rsquo;utilisation de teintes terreuses sugg\u00e8re une connexion avec la nature et ajoute une dimension \u00e9motionnelle \u00e0 l&rsquo;\u0153uvre.<\/p>\n<div class=\"nema-artwork-clear\"><\/div>\n<h4>Art<\/h4>\n<h2>L&rsquo;importance du croquis<\/h2>\n<p>Le croquis est une technique essentielle dans le processus artistique, permettant aux artistes de capturer rapidement des id\u00e9es et des formes, comme le montre cette esquisse de figure humaine.<\/p>\n<div class=\"nema-artwork-clear\"><\/div>\n<h4>Anatomie<\/h4>\n<h2>\u00c9tude de la forme humaine<\/h2>\n<p>L&rsquo;\u00e9tude de l&rsquo;anatomie humaine est cruciale pour les artistes, car elle leur permet de repr\u00e9senter le corps avec pr\u00e9cision, comme illustr\u00e9 par cette repr\u00e9sentation stylis\u00e9e du mouvement.<\/p>\n<div class=\"nema-artwork-clear\"><\/div>\n<h4>Danse<\/h4>\n<h2>Le mouvement dans l&rsquo;art<\/h2>\n<p>Le mouvement est un th\u00e8me central dans l&rsquo;art, souvent explor\u00e9 \u00e0 travers des figures en action, comme celle-ci, qui \u00e9voque la gr\u00e2ce et la dynamique du corps en mouvement.<\/p>\n<div class=\"nema-artwork-clear\"><\/div>\n<h4>Sculpture<\/h4>\n<h2>La sculpture et le dessin<\/h2>\n<p>Le dessin est souvent la premi\u00e8re \u00e9tape dans la cr\u00e9ation de sculptures, permettant aux artistes de planifier les formes et les proportions avant de travailler avec des mat\u00e9riaux tridimensionnels.<\/p>\n<div class=\"nema-artwork-clear\"><\/div>\n<h4>Expression corporelle<\/h4>\n<h2>L&rsquo;expression \u00e0 travers le corps<\/h2>\n<p>L&rsquo;expression corporelle est un moyen puissant de communication dans l&rsquo;art, o\u00f9 chaque posture et mouvement peut transmettre des \u00e9motions et des r\u00e9cits, comme le sugg\u00e8re cette figure expressive.<\/p>\n<div class=\"nema-artwork-clear\"><\/div>\n<h4>sentiment<\/h4>\n<h2>\u00c9merveillement<\/h2>\n<p>La posture dynamique du corps humain dans l&rsquo;image \u00e9voque un sentiment d&rsquo;\u00e9merveillement face \u00e0 la beaut\u00e9 de la forme humaine et \u00e0 la capacit\u00e9 de l&rsquo;art \u00e0 capturer le mouvement.<\/p>\n<div class=\"nema-artwork-clear\"><\/div>\n<h4>sentiment<\/h4>\n<h2>Nostalgie<\/h2>\n<p>Les lignes inachev\u00e9es et les couleurs terreuses peuvent susciter une nostalgie, rappelant des souvenirs d&rsquo;art classique ou de croquis d&rsquo;antan, o\u00f9 l&rsquo;imperfection est c\u00e9l\u00e9br\u00e9e.<\/p>\n<div class=\"nema-artwork-clear\"><\/div>\n<h4>sentiment<\/h4>\n<h2>Introspection<\/h2>\n<p>La simplicit\u00e9 de la repr\u00e9sentation incite \u00e0 la r\u00e9flexion personnelle, permettant au spectateur de se plonger dans ses propres pens\u00e9es et \u00e9motions en regardant la figure humaine.<\/p>\n<div class=\"nema-artwork-clear\"><\/div>\n<h4>sentiment<\/h4>\n<h2>Tension<\/h2>\n<p>La posture du personnage, qui semble \u00e0 la fois en mouvement et en \u00e9quilibre, cr\u00e9e une tension visuelle qui peut \u00eatre ressentie par le spectateur, \u00e9voquant une lutte interne ou une qu\u00eate.<\/p>\n<div class=\"nema-artwork-clear\"><\/div>\n<h4>sentiment<\/h4>\n<h2>Libert\u00e9<\/h2>\n<p>L&rsquo;utilisation de coups de pinceau libres et expressifs sugg\u00e8re une sensation de libert\u00e9, tant dans l&rsquo;expression artistique que dans la repr\u00e9sentation du corps humain, c\u00e9l\u00e9brant la fluidit\u00e9 du mouvement.<\/p>\n<div class=\"nema-artwork-clear\"><\/div>\n<h4>relation<\/h4>\n<h2>Bathing Nymphs<\/h2>\n<h3><\/h3>\n<div class=\"nema-image-artwork\"><img decoding=\"async\" src=\"https:\/\/api.smk.dk\/api\/v1\/thumbnail\/2fe389d4-d4e3-4c60-94a9-1f3fe11bc19e.jpg\" \/><\/div>\n<div>\n<p>National Gallery of Denmark<br \/>\nLicense:\u00a0<a href=\"https:\/\/creativecommons.org\/publicdomain\/mark\/1.0\/\">Public Domain Mark 1.0<\/a><\/p>\n<p>Source: <a href=\"https:\/\/www.europeana.eu\/en\/item\/\/2020903\/KMS1536\" target=\"_blank\" rel=\"noopener\">Europeana<\/a><\/p>\n<\/div>\n<div class=\"nema-artwork-clear\"><\/div>\n<h4>relation<\/h4>\n<h2>A Crew Rescued<\/h2>\n<h3>1894<\/h3>\n<div class=\"nema-image-artwork\"><img decoding=\"async\" src=\"https:\/\/api.smk.dk\/api\/v1\/thumbnail\/affbeefb-355e-462e-b8bd-1e26219927be.jpg\" \/><\/div>\n<div>\n<p>National Gallery of Denmark<br \/>\nLicense:\u00a0<a href=\"https:\/\/creativecommons.org\/publicdomain\/mark\/1.0\/\">Public Domain Mark 1.0<\/a><\/p>\n<p>Source: <a href=\"https:\/\/www.europeana.eu\/en\/item\/\/2020903\/KMS1483\" target=\"_blank\" rel=\"noopener\">Europeana<\/a><\/p>\n<\/div>\n<div class=\"nema-artwork-clear\"><\/div>\n<h4>relation<\/h4>\n<h2>Dredging a Ditch<\/h2>\n<h3>1886<\/h3>\n<div class=\"nema-image-artwork\"><img decoding=\"async\" src=\"https:\/\/api.smk.dk\/api\/v1\/thumbnail\/b481bc2b-f4cd-4c02-b0eb-6c7cc8039ed6.jpg\" \/><\/div>\n<div>\n<p>National Gallery of Denmark<br \/>\nLicense:\u00a0<a href=\"https:\/\/creativecommons.org\/publicdomain\/mark\/1.0\/\">Public Domain Mark 1.0<\/a><\/p>\n<p>Source: <a href=\"https:\/\/www.europeana.eu\/en\/item\/\/2020903\/KMS1329\" target=\"_blank\" rel=\"noopener\">Europeana<\/a><\/p>\n<\/div>\n<div class=\"nema-artwork-clear\"><\/div>\n<h4>relation<\/h4>\n<h2>Departure of Spanish Occupation Troops from Breda, October 10, 1637<\/h2>\n<h3><\/h3>\n<div class=\"nema-image-artwork\"><img decoding=\"async\" src=\"https:\/\/lh3.googleusercontent.com\/stsX52Q79v0HB5yWeLoPCN_UPatGM5Qf59jajqC1m3ZiRJ-6ob1jZKdOzuFb9MeIRqr1oACc7UQQG4Gjbu4IcgKUotw=s0\" \/><\/div>\n<div>\n<p>Rijksmuseum<br \/>\nLicense:\u00a0<a href=\"https:\/\/creativecommons.org\/publicdomain\/mark\/1.0\/\">Public Domain Mark 1.0<\/a><\/p>\n<p>Source: <a href=\"https:\/\/www.europeana.eu\/en\/item\/\/90402\/SK_A_1511\" target=\"_blank\" rel=\"noopener\">Europeana<\/a><\/p>\n<\/div>\n<div class=\"nema-artwork-clear\"><\/div>\n<h4>relation<\/h4>\n<h2>Oil painting<\/h2>\n<h3>Estenberg, Pehr<\/h3>\n<div class=\"nema-image-artwork\"><img decoding=\"async\" src=\"https:\/\/mm.dimu.org\/image\/022wZzU5Hz6s?dimension=1200x1200\" \/><\/div>\n<div>\n<p>Skansen<br \/>\nLicense:\u00a0<a href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/4.0\/\">CC BY-SA 4.0<\/a><\/p>\n<p>Source: <a href=\"https:\/\/www.europeana.eu\/en\/item\/\/91659\/sk_object_SKANM0081126\" target=\"_blank\" rel=\"noopener\">Europeana<\/a><\/p>\n<\/div>\n<div class=\"nema-artwork-clear\"><\/div>\n<h4>relation<\/h4>\n<h2>Ringrennen Christian II. (\u00ab\u00a0Eigentliche abkondrafagttur des Rinckrennen &#8230;\u00a0\u00bb) zu Fastnacht 1607<\/h2>\n<h3>Richter, Regine (Herstellung) (Fotograf)<\/h3>\n<div class=\"nema-image-artwork\"><img decoding=\"async\" src=\"https:\/\/fotothek.slub-dresden.de\/fotos\/df_hauptkatalog_0257979.jpg\" \/><\/div>\n<div>\n<p>Deutsche Fotothek<br \/>\nLicense:\u00a0<a href=\"https:\/\/creativecommons.org\/publicdomain\/mark\/1.0\/\">Public Domain Mark 1.0<\/a><\/p>\n<p>Source: <a href=\"https:\/\/www.europeana.eu\/en\/item\/\/463\/item_MOF45GX7UVHJPSVXMELDHQQLITWDZPCQ\" target=\"_blank\" rel=\"noopener\">Europeana<\/a><\/p>\n<\/div>\n<div class=\"nema-artwork-clear\"><\/div>\n<h4>relation<\/h4>\n<h2>Muscular tissue<\/h2>\n<h3>Tinkelenberg, J<\/h3>\n<div class=\"nema-image-artwork\"><img decoding=\"async\" src=\"https:\/\/iiif.universiteitleiden.nl\/iiif\/2\/hdl%3A1887.1%2Fitem%3A3462322\/full\/full\/0\/default.jpg\" \/><\/div>\n<div>\n<p>Leiden University Libraries<br \/>\nLicense:\u00a0<a href=\"https:\/\/creativecommons.org\/publicdomain\/mark\/1.0\/\">Public Domain Mark 1.0<\/a><\/p>\n<p>Source: <a href=\"https:\/\/www.europeana.eu\/en\/item\/\/744\/item_3462322\" target=\"_blank\" rel=\"noopener\">Europeana<\/a><\/p>\n<\/div>\n<div class=\"nema-artwork-clear\"><\/div>\n<h4>relation<\/h4>\n<h2>Still life<\/h2>\n<h3>Spyros Papaloukas 1955<\/h3>\n<div class=\"nema-image-artwork\"><img decoding=\"async\" src=\"https:\/\/exhibition.thfdigital.gr\/extra_large\/7838.jpg\" \/><\/div>\n<div>\n<p>Vasilis and Marina Theocharakis Foundation for Visual Arts &amp; Music<br \/>\nLicense:\u00a0<a href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/4.0\/\">CC BY-SA 4.0<\/a><\/p>\n<p>Source: <a href=\"https:\/\/www.europeana.eu\/en\/item\/\/1101\/https___www_searchculture_gr_aggregator_edm_theocharakis_000163_103199\" target=\"_blank\" rel=\"noopener\">Europeana<\/a><\/p>\n<\/div>\n<div class=\"nema-artwork-clear\"><\/div>\n<h4>Musique<\/h4>\n<h2>Gymnop\u00e9dies No. 1 &#8211; Erik Satie<\/h2>\n<p>Une pi\u00e8ce musicale minimaliste qui \u00e9voque la gr\u00e2ce et la fluidit\u00e9 du mouvement, en harmonie avec la posture dynamique du mod\u00e8le dans le dessin.<\/p>\n<div class=\"nema-artwork-clear\"><\/div>\n<h4>Musique<\/h4>\n<h2>Concerto pour violon en r\u00e9 majeur, Op. 35 &#8211; Piotr Ilitch Tcha\u00efkovski<\/h2>\n<p>Cette \u0153uvre exprime des \u00e9motions intenses et une beaut\u00e9 formelle, refl\u00e9tant la complexit\u00e9 et l&rsquo;\u00e9l\u00e9gance des formes humaines repr\u00e9sent\u00e9es dans l&rsquo;image.<\/p>\n<div class=\"nema-artwork-clear\"><\/div>\n<h4>Cin\u00e9ma<\/h4>\n<h2>The Dreamers (Bernardo Bertolucci)<\/h2>\n<p>Ce film explore la nudit\u00e9 et la sensualit\u00e9 \u00e0 travers les corps humains, tout en mettant en avant la beaut\u00e9 de la forme humaine, ce qui r\u00e9sonne avec l&rsquo;esquisse de la figure humaine dans l&rsquo;image.<\/p>\n<div class=\"nema-artwork-clear\"><\/div>\n<h4>Cin\u00e9ma<\/h4>\n<h2>Nymphomaniac (Lars von Trier)<\/h2>\n<p>Ce film aborde la sexualit\u00e9 et la repr\u00e9sentation du corps humain de mani\u00e8re crue et artistique, ce qui fait \u00e9cho \u00e0 l&rsquo;expression corporelle visible dans l&rsquo;\u0153uvre d&rsquo;art.<\/p>\n<div class=\"nema-artwork-clear\"><\/div>\n<h4>Cin\u00e9ma<\/h4>\n<h2>Black Swan (Darren Aronofsky)<\/h2>\n<p>Le film traite de la danse et de la forme physique, mettant en avant la beaut\u00e9 et la lutte du corps, ce qui se connecte \u00e0 la repr\u00e9sentation dynamique de la figure dans l&rsquo;image.<\/p>\n<div class=\"nema-artwork-clear\"><\/div>\n<h4>Musique<\/h4>\n<h2>Sonate pour piano n\u00b0 14 &lsquo;Clair de Lune&rsquo; &#8211; Claude Debussy<\/h2>\n<p>Une composition qui \u00e9voque des images de lumi\u00e8re et de mouvement, en r\u00e9sonance avec la fluidit\u00e9 et l&rsquo;esth\u00e9tique du dessin.<\/p>\n<\/div><\/section><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Torse<\/p>\n","protected":false},"author":1,"featured_media":3037,"comment_status":"open","ping_status":"closed","template":"","meta":{"footnotes":""},"tags":[],"portfolio_entries":[96],"class_list":["post-3394","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_entries-gallery-fr"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Torse - Avramidis Ioannis (1922-2016) - Nema - Art<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/nema-art.app\/fr\/portfolio-item\/torse-avramidis-ioannis-1922-2016\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Torse - Avramidis Ioannis (1922-2016) - Nema - Art\" \/>\n<meta property=\"og:description\" content=\"Torse\" \/>\n<meta property=\"og:url\" content=\"https:\/\/nema-art.app\/fr\/portfolio-item\/torse-avramidis-ioannis-1922-2016\/\" \/>\n<meta property=\"og:site_name\" content=\"Nema - Art\" \/>\n<meta property=\"article:modified_time\" content=\"2025-06-18T10:42:40+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/nema-art.app\/wp-content\/uploads\/2025\/06\/case-study-14.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"517\" \/>\n\t<meta property=\"og:image:height\" content=\"1400\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data1\" content=\"14 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/nema-art.app\/fr\/portfolio-item\/torse-avramidis-ioannis-1922-2016\/\",\"url\":\"https:\/\/nema-art.app\/fr\/portfolio-item\/torse-avramidis-ioannis-1922-2016\/\",\"name\":\"Torse - Avramidis Ioannis (1922-2016) - Nema - Art\",\"isPartOf\":{\"@id\":\"https:\/\/nema-art.app\/fr\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/nema-art.app\/fr\/portfolio-item\/torse-avramidis-ioannis-1922-2016\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/nema-art.app\/fr\/portfolio-item\/torse-avramidis-ioannis-1922-2016\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/nema-art.app\/wp-content\/uploads\/2025\/06\/case-study-14.jpg\",\"datePublished\":\"2025-06-06T09:48:40+00:00\",\"dateModified\":\"2025-06-18T10:42:40+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/nema-art.app\/fr\/portfolio-item\/torse-avramidis-ioannis-1922-2016\/#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/nema-art.app\/fr\/portfolio-item\/torse-avramidis-ioannis-1922-2016\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\/\/nema-art.app\/fr\/portfolio-item\/torse-avramidis-ioannis-1922-2016\/#primaryimage\",\"url\":\"https:\/\/nema-art.app\/wp-content\/uploads\/2025\/06\/case-study-14.jpg\",\"contentUrl\":\"https:\/\/nema-art.app\/wp-content\/uploads\/2025\/06\/case-study-14.jpg\",\"width\":517,\"height\":1400,\"caption\":\"OLYMPUS DIGITAL CAMERA\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/nema-art.app\/fr\/portfolio-item\/torse-avramidis-ioannis-1922-2016\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/nema-art.app\/fr\/home\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Torse &#8211; Avramidis Ioannis (1922-2016)\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/nema-art.app\/fr\/#website\",\"url\":\"https:\/\/nema-art.app\/fr\/\",\"name\":\"Nema - Art\",\"description\":\"a dialogue with an artwork\",\"publisher\":{\"@id\":\"https:\/\/nema-art.app\/fr\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/nema-art.app\/fr\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"fr-FR\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/nema-art.app\/fr\/#organization\",\"name\":\"Encodica\",\"url\":\"https:\/\/nema-art.app\/fr\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\/\/nema-art.app\/fr\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/nema-art.app\/wp-content\/uploads\/2025\/05\/nema-logo-black-480.png\",\"contentUrl\":\"https:\/\/nema-art.app\/wp-content\/uploads\/2025\/05\/nema-logo-black-480.png\",\"width\":490,\"height\":183,\"caption\":\"Encodica\"},\"image\":{\"@id\":\"https:\/\/nema-art.app\/fr\/#\/schema\/logo\/image\/\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Torse - Avramidis Ioannis (1922-2016) - Nema - Art","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/nema-art.app\/fr\/portfolio-item\/torse-avramidis-ioannis-1922-2016\/","og_locale":"fr_FR","og_type":"article","og_title":"Torse - Avramidis Ioannis (1922-2016) - Nema - Art","og_description":"Torse","og_url":"https:\/\/nema-art.app\/fr\/portfolio-item\/torse-avramidis-ioannis-1922-2016\/","og_site_name":"Nema - Art","article_modified_time":"2025-06-18T10:42:40+00:00","og_image":[{"width":517,"height":1400,"url":"https:\/\/nema-art.app\/wp-content\/uploads\/2025\/06\/case-study-14.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_misc":{"Dur\u00e9e de lecture estim\u00e9e":"14 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/nema-art.app\/fr\/portfolio-item\/torse-avramidis-ioannis-1922-2016\/","url":"https:\/\/nema-art.app\/fr\/portfolio-item\/torse-avramidis-ioannis-1922-2016\/","name":"Torse - Avramidis Ioannis (1922-2016) - Nema - Art","isPartOf":{"@id":"https:\/\/nema-art.app\/fr\/#website"},"primaryImageOfPage":{"@id":"https:\/\/nema-art.app\/fr\/portfolio-item\/torse-avramidis-ioannis-1922-2016\/#primaryimage"},"image":{"@id":"https:\/\/nema-art.app\/fr\/portfolio-item\/torse-avramidis-ioannis-1922-2016\/#primaryimage"},"thumbnailUrl":"https:\/\/nema-art.app\/wp-content\/uploads\/2025\/06\/case-study-14.jpg","datePublished":"2025-06-06T09:48:40+00:00","dateModified":"2025-06-18T10:42:40+00:00","breadcrumb":{"@id":"https:\/\/nema-art.app\/fr\/portfolio-item\/torse-avramidis-ioannis-1922-2016\/#breadcrumb"},"inLanguage":"fr-FR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/nema-art.app\/fr\/portfolio-item\/torse-avramidis-ioannis-1922-2016\/"]}]},{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/nema-art.app\/fr\/portfolio-item\/torse-avramidis-ioannis-1922-2016\/#primaryimage","url":"https:\/\/nema-art.app\/wp-content\/uploads\/2025\/06\/case-study-14.jpg","contentUrl":"https:\/\/nema-art.app\/wp-content\/uploads\/2025\/06\/case-study-14.jpg","width":517,"height":1400,"caption":"OLYMPUS DIGITAL CAMERA"},{"@type":"BreadcrumbList","@id":"https:\/\/nema-art.app\/fr\/portfolio-item\/torse-avramidis-ioannis-1922-2016\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/nema-art.app\/fr\/home\/"},{"@type":"ListItem","position":2,"name":"Torse &#8211; Avramidis Ioannis (1922-2016)"}]},{"@type":"WebSite","@id":"https:\/\/nema-art.app\/fr\/#website","url":"https:\/\/nema-art.app\/fr\/","name":"Nema - Art","description":"a dialogue with an artwork","publisher":{"@id":"https:\/\/nema-art.app\/fr\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/nema-art.app\/fr\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"fr-FR"},{"@type":"Organization","@id":"https:\/\/nema-art.app\/fr\/#organization","name":"Encodica","url":"https:\/\/nema-art.app\/fr\/","logo":{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/nema-art.app\/fr\/#\/schema\/logo\/image\/","url":"https:\/\/nema-art.app\/wp-content\/uploads\/2025\/05\/nema-logo-black-480.png","contentUrl":"https:\/\/nema-art.app\/wp-content\/uploads\/2025\/05\/nema-logo-black-480.png","width":490,"height":183,"caption":"Encodica"},"image":{"@id":"https:\/\/nema-art.app\/fr\/#\/schema\/logo\/image\/"}}]}},"_links":{"self":[{"href":"https:\/\/nema-art.app\/fr\/wp-json\/wp\/v2\/portfolio\/3394","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nema-art.app\/fr\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/nema-art.app\/fr\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/nema-art.app\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nema-art.app\/fr\/wp-json\/wp\/v2\/comments?post=3394"}],"version-history":[{"count":12,"href":"https:\/\/nema-art.app\/fr\/wp-json\/wp\/v2\/portfolio\/3394\/revisions"}],"predecessor-version":[{"id":5028,"href":"https:\/\/nema-art.app\/fr\/wp-json\/wp\/v2\/portfolio\/3394\/revisions\/5028"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nema-art.app\/fr\/wp-json\/wp\/v2\/media\/3037"}],"wp:attachment":[{"href":"https:\/\/nema-art.app\/fr\/wp-json\/wp\/v2\/media?parent=3394"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nema-art.app\/fr\/wp-json\/wp\/v2\/tags?post=3394"},{"taxonomy":"portfolio_entries","embeddable":true,"href":"https:\/\/nema-art.app\/fr\/wp-json\/wp\/v2\/portfolio_entries?post=3394"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}